After the Threshold by Sandi Haber Fifield
My work is born of collisions and alignments. I gather images from experiences exceptional and mundane, intentional and spontaneous. A visit to the Louvre might find its place alongside a glance through my kitchen window. I work from an inventory of images created and collected over time and am always on the lookout for the small parts that make the whole. Through the process of combining disparate moments of vision, formal connections reveal themselves and suggest the reassuring possibility of meaning and order in the apparent randomness of experience. Principles of Gestalt and the implication that we perceive the whole before we see the parts - the aspect of vision that dictates personal experience - plays an important role in my work. My studio is the place where visual associations begin, vibrate, rattle and resolve, and where the unnoticed is examined, the familiar is seen, and the margins are mined for the meanings that collect there.
"Haber Fifield’s images, leaping through illogical hoops, revel in ambiguity, yet they cohere in mood and tone, much the way a piece of music does when the same key persists while melodies change. The clues to coherence are subtle: compositional elements recur, color plays nuanced games, and each sequence projects a consistent range of feeling." Vicki Goldberg, After the Threshold (Kehrer Verlag, 2013)
Sandi Haber Fifield lives and works in Connecticut
To view more of Sandi's work, please visit her website.
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Luck, 2012
Pained Smile, 2012
Blue Sky and Jackets, 2011
Hidden Man, 2012
The Young Victoria, 2012
Coffered Perspective, 2012
Descent, 2012
Premonition, 2012
Noto,2012
Cornucopia,2012
White Sun, 2011
Hannah, 2012
Sunday Morning, 2012
Dreaming in Blue, 2012
Knotted Vine, 2011
Haywire, 2011
Daylight Moon, 2012
Improbable Night, 2012
Rock Candy, 2012
Lost, 2012
Night Station, 2012