Puppenhaus by Cornelia Hediger
Over the years I have become more and more interested in photo-collages and photomontages and their potential for creating powerful spaces. The photo-collages are constructed out of a combination of pigment and gelatin silver prints, with imagery originating from various sources including the artist’s studio practice, and scans of wallpaper, paint and cardboard. These are combined with recent photographs of travels in Europe, the patriarchal home in Switzerland and other family artifacts.
The hand of the artist is up front and center across the Puppenhaus series – pencil marks, irregular cuts left exposed, paint, hanging strings, and individual elements attached in low relief, which together draw attention to the unusual focal planes, angles of view and shifts in scale. All of this combines perfectly with the seemingly whimsical narratives, that take the viewer on a journey through the artist’s fictionalized world. The use of self-portraiture prevails, linking this series back to the previous Doppelgänger work.
Cornelia Hediger lives and works in New York City.
To view more of Cornelia's work, please visit her website.
What is left behind, 2016
The Crucifixion, 2016
Bono in Lago, Italy, 2015
Lily's dream of fish, 2016
Dr. Christiane S, 2015
Winter auf dem Bözberg, 2016
In memory of Chancie, 2015
The Smoker, 2016
Election 2016, 2016
Wilhelm Tell, 2016
The Tourist, 2016
The Party, 2016
The ones I love, 2016
Puppe im Schnee, 2015
The Bathtub, 2016