Ariel C. Wilson

Issue 183

My studio practice currently centers around the paradoxes and failures of photographic representation, and in the mistranslation of the physical to the depicted. I notice how the photograph supplants the physical: I watch the sunrise through my laptop rather than stepping outside, spot a photograph instead of patching a wall. In response, I work to create space for the contradiction between the credence we give to the photographic image, and the inherent limitations of the medium. The moon I see through my iPhone camera could never be mistaken for itself, but I am still ordered to destroy my students’ inkjet prints of single-dollar bills. I find solutions by creating photographic objects and spaces that resist the illusion of indexicality: layered and transparent photographs, large-scale installations, sculptural prints, and live-feed video installations.

Ariel C. Wilson (she/her) lives and works in Salt Lake City, Utah, USA.
www.arielcwilson.com | @ariel.c.wilson

 
 

Installation view: Bad Moon Photos at Sanitary Tortilla Factory, 2024, inkjet prints on adhesive vinyl, 4” x 6” machine c-prints, video on iPhone, dimensions variable.

 

Bad Moon Photo: contribution from Matt Kowal, 2021, inkjet print on adhesive vinyl, dimensions variable.

 

Installation detail: Bad Moon Photos at Sanitary Tortilla Factory, 2024, inkjet prints on adhesive vinyl, 4” x 6” machine c-prints, video on iPhone, dimensions variable.

 

Bad Moon Photo: contribution from Edward Bateman, 2021, inkjet print on adhesive vinyl, dimensions variable.

 

Installation detail: Bad Moon Photos at Sanitary Tortilla Factory (Albuquerque), 2024, inkjet prints on adhesive vinyl, 4” x 6” machine c-prints, video on iPhone, dimensions variable.

 

Still from Moon Eluding Capture, 2022 – 2024, 10:51, screen-recorded video for iPhone.

 

Installation detail: Bad Moon Photos at Sanitary Tortilla Factory (Albuquerque), 2024, inkjet prints on adhesive vinyl, 4” x 6” machine c-prints, video on iPhone, dimensions variable.

 

Kowal + Wilson (collaborative work), install view: from where the sun is setting (composition for Salt Lake City, May 30th, 2024: Kaloloch Beach, WA; Paria Overlook, UT; Pine Springs Canyon, TX), 2024, live feed multichannel video (monitor, html and bash script, Raspberry Pi), time, 60” x 14” x 4”, duration lasts the length of the exhibition.

 

Kowal + Wilson (collaborative work), stills: from where the sun is setting (composition for Salt Lake City, May 30th, 2024: Kaloloch Beach, WA; Paria Overlook, UT; Pine Springs Canyon, TX), 2024, live feed multichannel video (monitor, html and bash script, Raspberry Pi), time.

 

Kowal + Wilson (collaborative exhibition), install view: from where the sun is setting at Erosion Gallery (Salt Lake City), 2024, live feed multichannel video, large-scale inkjet prints on adhesive vinyl, sculptural viewing devices.

 

Kowal + Wilson (collaborative work), detail: sunset over Kaloloch Beach (webcam), Washington May 22nd, 2024, inkjet print on adhesive fabric, 94” x 96” (dimensions variable). Edition of 1.

 

Install view: sunset viewing device (darken the sky), 2024, soft graduated neutral density filter, metal stand, sandstone, 24” x 12” x 60”. Edition of 3.

 

Kowal + Wilson (collaborative work), civil dawn to civil dusk over Pine Springs Canyon (webcam) May 22nd, 2024, archival inkjet print, 36” x 62”.

 

Install detail: sunset viewing device (zoom in), 2024, photographer’s loupe, fishing line, sandstone sourced near Heber, UT, dimensions variable. Edition of 3.

 

Install detail: sunset viewing device (zoom in), 2024, photographer’s loupe, fishing line, sandstone sourced near Heber, UT, dimensions variable. Edition of 3.

 

Kowal + Wilson (collaborative exhibition), install view: from where the sun is setting at Erosion Gallery (Salt Lake City), 2024, live feed multichannel video, large-scale inkjet prints on adhesive vinyl, sculptural viewing devices.

 

All images © Ariel C. Wilson